Fashion Essays Fashion Industry

Fashion Essays Fashion Industry For individuals who work in the fashion industry, it is a profession in itself as well as a personal interest. Topic The importance of fashion in our daily lives is a given. For individuals who work in the fashion industry, it is a profession in itself as well as a personal interest. For those outside the industry, fashion still plays a very important role. However, many people do not realize that fashion is also a valuable tool for analyzing culture and for assessing the values of that culture. Our fashion choices tell people who we are and what our standing is in society; in addition, our choices have an impact on our ability to succeed or to fail in certain areas of our lives. The topic of research for this proposal is an analysis of the ways in which clothing functions as a reflection of our culture, as well as a tool that can enhance or hinder our success in life. Rationale People have been using clothing and accessories for centuries. In fact, as ONeil has pointed out, clothing and accessories are not the only items used to decorate the body. Across the globe,   the ways in which people present themselves vary widely. Items commonly used range from body and hair paint to decorative scarring, and from perfume to body deformation (ONeil 2005: n.p.). Clothing is primarily worn, of course, for practical reasons, such as protection from the weather and outdoor elements. It is also worn to cover certain parts of the body, either out of modesty or cultural restrictions. The parts of the body that are covered may be different, depending upon the culture and location Clothing may also be used a sort of talisman to ward off evil, or a type of supernatural protection. In Christian populations, wearing a medal of St. Christopher is thought to protect the wearer from evil (ONeil 2005: n.p.). In a similar vein, carrying a rabbits foot or some other item associated with luck is a way of using supernatural assistance. However, clothing is worn for more than the reasons stated above. ONeil asserts that long before we are physically near enough to talk to people, their appearance announces their gender, age, economic class, and often even intentions (2005: n.p.). Fashion is also a medium by which people communicate messages about gender, occupation, class, and wealth. This is something we learn to recognize when we are very young. We also come to recognize what ONeil refers to as a vocabulary of dress. In other words, in addition to the actual items of clothing we wear, there are other features that we have come to accept as part of dress. Among these are hairstyles, makeup, and accessories such as jewelry. Additionally, body decoration such as tattoos and piercings have come to be considered part of the contemporary vocabulary of dress. According to Joanne Entwistle, in contemporary culture, the body has become the site of identity. We experience our bodies as separate from others and increasingly we identify with our bodies as containers of our identities and places of personal expression (2000: 138). An important aspect of fashion is its relationship to society at large. In recent years, this has become considerably more complex. The way we dress says a great deal more about us than many people realize. What we wear presents a statement to the world. It is another way of revealing certain information about ourselves to others: without saying a word, we give out clues about our social background, our economic status, and our images of ourselves. As Entwistle has suggested,   dress is tied up to social life in more than one way: it is produced out of economic, political, technological conditions as well as shaped by social., cultural, aesthetic ideas (2000: 111). The significance of clothing goes beyond what we wear. A pair of blue jeans is not just a pair of blue jeans. The brand is often just as or more important as the article of clothing. Brand recognition is a crucial factor in the world of fashion, especially for younger generations. Faedda asserts that for young people jeans have become a tool of social and political protest, of adherence and membership, symbol and emblem; for stylists jeans have become a trendy casual product, a refined prà ªt a porter article or quite a high fashion creation (Faedda 2005:4). Not only is clothing a key to who we are it also plays a role in how far we can travel in certain circles. It has been said that the right clothing can grant us access to the right places and the right people (Jones 2002: 21). Some scholars theorize that what we wear affects how we act, as well as how others react to us. According to ONeil, putting on certain types of clothing can change your behavior and the behavior of others towards you (2005:n.p.). He uses the example of uniforms, explaining that the message conveyed simply by wearing the clothing associated with a particular profession is both immediate and strong. One specific example ONeil mentions is that of a study of Spanish policemen. Without their uniforms, they were seen as having little or no effect on people, even though they were in fact identified as policemen. With their uniforms on, however, they acted in a much more aggressive manner. In addition, the people who saw them in uniform were much more responsive to di rections. ONeil also explains that uniforms are designed to elicit this kind of response:   Most uniforms are consciously symbolic so that they can rapidly and conclusively communicate status†¦The ribbons and other insignias on the U.S. sailors uniform can tell even a stranger about his status, authority, and military experience (2005: n.p.). And it is important to note that uniforms can include things beyond clothing, such as specific hairstyles that are commonly associated with certain groups of individuals. The uniform hairstyle of   punkers is one example of this. It is assumed by the wearers that the public will recognize these markers and make the connection to a certain group:  it is necessary to know what these culturally defined symbols mean in the context that they are used in order to understand what is being communicated (ONeil 2005: n.p.). According to Faedda, the uniform as we know it has become a transgressive symbol that is associated with the so-called subcultures o r antifashions, political and social movements, music, mass protests and juvenile cultural phenomena generally (Faedda 2005: 4). In addition to its many other uses, dress is also used as a form of camouflage. According to Faedda, dress covers, frames, hides and masks the body. In this sense it works to distinguish and, in the same time, to link oneself to the others: dress is our filter with the world (2005: 4). This assertion that dress is often used to hide or mask the body suggests that there is something unpleasant, undesirable, or even shameful about the body. This in turn brings up a number of issues about clothing and about that which it disguises. According to some scholars, the role of the body has been evolving: in the affluent West, there is a tendency for the body to be seen as an entity which is in the process of becoming; a project which should be worked at and accomplished as part of an individual’s self-identity (Shilling 1993: 5). The concept of the body as a project suggests a dissociation of the self from the body This point is echoed by Entwistle, who asserts that fashion, dress and consumption provide ways of dealing with the problems of the modern world, characterized by increasing fragmentation and a sense of chaos. Fashion opens up possibilities for framing the self, however temporarily (2000: 139). In this sense, fashion takes on seemingly therapeutic aspects: in response to an increasingly complex and chaotic world, the one thing we may feel we can control is our sense of self. Since that self is often expressed through fashion statements, the role of fashion takes on additional significance. As Gilman has commented, in a world in which we are judged by how we appear, the belief that we can change our appearance is liberating (1999: 3). In fact, as Gilman elaborates, To become someone else or to become a better version of ourselves in the eyes of the world is something we all want. Whether we do it with ornaments such as jewelry or through the wide range of physical alterations from hair dressing to tattoos to body piercing, we respond to the demand of seeing and being seen. (Gilman 1999: 3) Aims and Objectives The primary aim of undertaking this research is to explore the intricate and complex messages that are revealed by the types of dress we choose. Our fashion choices say a great deal about us as individuals; on a broader level, fashion trends reflect important aspects of any given culture during a certain time frame. Questions that are driving the design of the project include: What does fashion indicate about the wearer? How does fashion reflect the values and beliefs of different cultures? What is the significance of fashion trends? By combining information from scholarly research, articles from contemporary fashion magazines, and data from internet sources, the final project will seek to answer the questions above and draw relevant conclusions about the complex relationship between fashion and identity. Proposed Methodology Proposed methodology for this project will consist of a combination of quantitative and qualitative sources. A variety of print sources will be used, including books, scholarly journals, fashion magazines, and newspaper articles. Internet resources will also be an integral part of the research process. Current statistical information as well as the latest information on industry trends is more readily available on the internet. This makes the internet a valuable resource when studying an industry that is characterized by rapid change. Additional methodology in the form of questionnaire administration is also proposed as part of this research project. Specifically, a questionnaire would be designed in order to collect data regarding key points that are speculated upon in the research. This questionnaire will be formulated to elicit a range of attitudes based on a series of multiple-choice questions. Although the target audience will be limited by time and resource constraints, participants will be selected at random. In this way, the data collected will reflect society at large. Questionnaire administration will be executed through email and through direct contact with the public. Data collected from questionnaires will be organized and interpreted in terms of stratified clusters, in keeping with the original project format, and will be analyzed, and presented in conjunction with other findings. If discrepancies are discovered between the anticipated and actual results, possible explanations will be formulated and included in the analysis. As for modes of research: as indicated above, information will come from a variety of sources. This will include scholarly research, articles from contemporary fashion magazines, and data from internet sources. Information about research sources will be listed at the end of the paper in a reference list. The reference list will consist of two parts. The first part of the reference list will include sources that are quoted or otherwise directly used in the body of the paper. The second part of the list will include sources that were consulted but which do not appear in the body of the paper. If a questionnaire is used, a copy will be included in a supplementary appendix, along with all additional relevant information that is not included in the body of the paper. Content The content of the research will be organized in chapters and will include sub-headings within each chapter. A Table of Contents will be included to indicate the chapter divisions, Reference List, and Appendices (if used). References and Bibliography All research sources will be listed at the end of the paper in a reference list. Sources that are quoted or otherwise directly used in the body of the paper will be indicated as part of the primary reference list. Sources that were consulted but which do not appear in the body of the paper will be included in a supplement to the primary reference list. Appendices, if found to be helpful, will also be included at the end of the paper. Critical Path A proposed timetable will be formulated upon approval of topic, and will consist of goals and completion dates for each portion of the project. The timetable will be arranged to allow for research, data collection and interpretation, and writing of the paper itself. Time will be allotted for initial and final drafts, as well as proofreading and final revisions before submission. Reflective Statement The complexity of the fashion industry lends itself to a broad choice of career trajectories. This research project will further elucidate the options available. One of the options that has a great deal of appeal is working as a Fashion Consultant, since preliminary research for this project indicates that this is a challenging and rapidly expanding profession in the industry. In addition, opportunities for further research on a more advanced level will be explored. References Entwistle, J. 2000. The fashioned body: Fashion, dress, and modern social theory. Cambridge: Polity Press. Faedda, Barbara. 2005. Wearing and appearing: An anthropological analysis through the shop windows Retrieved December 23, 2005 from http://www.anthroglobe.ca/docs/WEARING%20AND%20APPEARING.htm Gilman, Sander. 1999. Making the body beautiful: A cultural history of aesthetic surgery.Princeton, NJ: Princeton University Press. Jones, S. 2002. Fashion design. London: Laurence King Publishing Ltd. ONeil, Dennis. 2005. Hidden aspects of communication. Retrieved December 23, 2005 from http://anthro.palomar.edu/language/language_6.htm Shilling, C. 1993. The body and social theory. London: Sage.

Commercal Production Of Bovine Somatropin

Somatropin is a hormone naturally released by the Anterior Pituitary gland. Its release is mediated by the releasing hormone produced by the Hypothalamus, Growth Hormone releasing factor. Somatropin is a peptide hormone. It promotes normal body growth and lactation.Bovine Somatropin is the Somatropin produced in cattle. Since the hormone is a peptide, it is digested by peptidases in the gastrointestinal tract hence, it is not orally active. Somatropin is produced commercially using Recombinant DNA technology. The Somatropin so produced is called Recombinant bovine Somatropin (rBST). A bacteria e. g.E coli is used. The gene that codes for Somatropin is identified in the cow DNA and inserted into the DNA of E. coli. The E. coli is fermented and thus, the Somatropin is produced en masse. Through a process of isolation and purification, fairly large, commercial quantities are produced. The product may be marketed as a weekly or fortnightly injection. rBST is of immense value to the cattl e industry as it significantly increases the yield of milk produced by cattle. This is does by increasing the appetite of these cattle. Also the blood flow to the mammary gland is increased as it increases cardiac output.Also it has been reported in literature that the administration of Somatropin leads to a decrease in body fat level. This could mean healthier meats to eat. However, it produces a negative influence on the level of reproduction in animals chronically on bovine Somatropin. Also an increased risk of mastitis is also suggested in animals on which the hormone is administered. REFERENCES. 1. F. Laurent, B. Vignon and D. Coomas (1992). Influence of Bovine Somatotropin on the Composition and Manufacturing Properties of Milk. Accessed from http://www. jds. fass. org/cgi/reprint/75/8/2226. pdf 2. http://encyclopedia. farlex. c

Introduction. Toronto, Including The Greater Toronto Area,

Introduction Toronto, including the Greater Toronto Area, is a multicultural and urban Canadian city with a current population of 5,406,324 (Monga Bay, n.d.). In 1985, Canada had an estimated population 3,356,000 and an estimated population of 4,925,000 people in 2005 (Monga Bay, n.d.). The fluctuation in population reflects a simple change in number over time and that change can cause an alteration of societal values, striving to change the criminal justice system. Youth probation officers have a role in the criminal justice system to supervise young offenders to ensure a compliance with court orders and are on good behaviour for an arranged period of time (Ministry of Community Safety and Correctional Service, 2016). Youth†¦show more content†¦Similarly, the perspectives of the youth probation officers in Toronto may differ from youth probation officers from other cities in Ontario, along with other provinces and territories. In addition, another limitation of this paper is that the answers given by the youth probation officers were done within the past five years, during the Youth Criminal Justice Act. However, the act was implemented in 2003, with many officers who started their work prior to the enactment, which may cause a variation of their values in youth justice. To counter this complication, the interviews will provide insight on challenges the youth probation officers in the city have faced progressively. Young Offenders Act Criminal justice systems, along with the accompanying policies, are continuously changing and moving towards modernity (Brabazon, 2017). There is a change in value judgement when modernity is applied to society. The movement towards modernity and the shift in value judgment makes a criminal justice system supposedly morally superior with the combination of human rights (Brabazon, 2017). 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Is College Worth It - 1030 Words

Once again the question stands, is college worth it? There have been many successful individuals that did not attend college, or that did not receive a college degree. Ted Turner, Ralph Lauren, Mark Zuckerberg, and Michael Dell are all examples of people who did not receive a college degree, but are worth billions. Among many others, Steve Jobs is one of my favorites to research and talk about. He did not have it easy in any way, yet he overcame many obstacles and became a very successful and well-known individual. Jobs was an American information technology entrepreneur and inventor, being the co-founder, chairman, and CEO of Apple Inc. He lived a counter-cultural lifestyle, and philosophy was a big thing during the time and place of his upbringing. He was adopted at birth, in San Francisco by Paul and Clara Jobs (February 24, 1955). He was very dismissive of his adopted parents, â€Å"They were MY parents† he explained. 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